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supported by 24 fans who also own “Suicide City”
The melancholy and frustration definitely gets to you.
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Thanks, Sorry!
by Jeff Rosenstock
supported by 12 fans who also own “Suicide City”
One of the big things that make this set so special is just how personable everything is. The music is great and all, of course, but you can tell that everyone in the band is excited to be there and to perform, not just in general but in that moment. It all feels natural to a level where even the mistakes are part of the experience, as few as they are. Past the parts of this that make it a good live show specifically, everything sounds great. You get a little bit of everything here.
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Specializing in bright, sunny "bedroom rock español," this Brooklyn singer-songwriter puts a unique spin on lo-fi music.
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Jagged post-punk from Sydney captures the sound of the ’70s in its acute angled guitars and detacted vocals.
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Blistering post-punk from the UK powered by 100mph guitars and panicked vocals.
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